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Archive for category: Suzuki/Viewpoint Training

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Suzuki/Viewpoint Training

01 Jan 2013/in Suzuki/Viewpoint Training /by JCC
The Suzuki technique was developed by Tadashi Suzuki and his theatre company in Japan. It is influenced by various traditional theatre forms and martial arts techniques both Japanese and non-Japanese (such as Kendo, Kabuki, Kathakali). Its objective is to enhance the actor’s physical presence and awareness to his/her body in space and to connect the entire body to the voice and breath. Working on grounding the core of the body through strong work of the feet, the actor learns to separate the strong lower part of the body from the relaxed upper part of the body. It also affords the actor a connection between the body, breath and voice.

The Viewpoints technique was created by choreographer and (post) modern dance teacher Mary Overlie and later adapted for theatre and further developed by acclaimed director Anne Bogart. In this technique the actor develops awareness to their bodies in relationship to elements of time and space. Through a deconstruction of the actors’ habitual environment and relationships this technique heightens their kinesthetic responses to each other and helps facilitate group creation through improvisation.

The Training Group was founded in the Fall of 2008 with the purpose of providing a training space for actors who have had prior experience in the Viewpoints and Suzuki techniques and wish to further explore the use of these techniques. These two techniques are most famously taught by the members of the SITI Company (a New York based theatre company led by director Anne Bogart) and the majority of the group have trained with them in the past. These day the group includes a core of about 10 active members who participate regularly and some 20 supporting members who participate sporadically. Through continuous practice with these techniques the actors gain acute awareness to their bodies in relation to time and space as well as to other actors around them.

The Viewpoints technique was developed by choreographer and dance teacher Mary Overly and adapted for actor training by Anne Bogart and the Suzuki technique was developed by acclaimed Japanese director Tadashi Suzuki and his company. These techniques complement one another as part of the overall training process. While the Viewpoints technique is geared toward facilitating improvisation and group creation, the Suzuki technique is based on strict forms and routines (kata) through which the actors develop strong physical presence and a better sense of their bodies in space. In each 3 hour session we train for 90 minutes with each technique. The work is led by some of the more experienced members of the group. Members interested in joining the group should contact Claire Redfield via the JCC at info@japaneseculturecenter.com

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